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RYAN TRAMONT

When I first met Ryan, Frog & Peach was still in residence at the primitive little second floor Theatre at West-Park.  We received thousands of pictures and resumes that year--even then, the word was out that Frog & Peach was a truly unique experience for actors and audiences alike. 


Ryan's submission put him among the few people we wanted to see, but in the back of my mind, a voice said 'don't get your hopes up, Lynnea.'  It seemed unlikely that such a fresh young person, new to the city, who had accomplished so much on his own, would be willing to undergo the rigorous rehearsals and performance schedule that our productions demand.


Seasoned artists recognize the opportunity Frog & Peach affords--who among us hasn't suffered in shows where the attitude is 'do your lines and get off the stage,' or where the direction goes no further than 'make it perkier.'?  At Frog & Peach, we provide a home where an actor's input is highly valued, where no one is afraid to say 'I don't understand this,' or, 'Can I try something?'  Great care is taken to find the truth behind the words, and thanks to our skillfully edited scripts, there is no such thing as a small role at Frog & Peach--each complex character shines with life, and has his own beautiful moments on stage.


But it is very difficult to find method trained actors who can handle the verse, convey their roles with aplomb, AND speak directly to the audience.  For some method trained people, breaking the fourth wall is like asking a cat to swim, and our rehearsal process goes deeper than many actors wish to go.


In Ryan's case, I needn't have been concerned.  His audition was a knock-out, and the adjustment I asked him to make was spot-on.  I cast him immediately, and he has been a tremendous asset to the company ever since. 


When we started thinking about Hamlet as a project for our February Players Club Benefit, Ryan had already graced our stage in the title role, to great critical acclaim.  To our delight, he immediately agreed to play Laertes for this special, one-night-only event. That's the kind of actor he is.


Ryan understands that Laertes' story is a mirror of Hamlet's; his father slain, his sister's mind badly wounded, Laertes is torn by loyalties to blood, self, and country.  On Tuesday night, Ryan's Laertes gave a new perspective on how difficult it is to find an honorable path in this life.  It was a performance of tremendous heroism.


I can't express the pleasure I have in working with Ryan--we share a sensibility that is almost unspoken, a wordless groove you hear musicians or athletes talk about, but one that's rare in theatre, at least in my experience.  I realize that Ryan has many fish to fry in his deservedly successful career in both theatre and film, and that his busy schedule may preclude participation in every Frog & Peach production.  But I thank my lucky stars that Frog & Peach has the sensitive, fearless, and diabolically handsome Ryan Tramont as member.


 


 


 


 


 


 

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HAMLET

What an evening we had last night--Hamlet at The Players Club, starring Fred Willard, Austin Pendleton, Shirley Knight, Darrell Hammond, Anna Chlumsky, David Margulies, Lenny Ciotti, Erick Gonzalez, Ross Beshear, and Ted Zurkowski as the Prince of Denmark, with Music by the fabulous Ian McDonald.


The house was packed with people, some long-time Frog & Peach fans, but many, many newcomers.  The Benefit Committee--Amy Frances Quint, Irene Hernandez, Kyla D'Souza, Treasure Davidson & Jack Sochet--provided tremendous support and charm on this huge event.


Thanks to everyone, especially our cast, Ian, Jonathan Slaff, the multi-talented Elise McMullen, who designed the beautiful Hamlet poster and postcard, and the phenomenal Eric Doss for making this gala so special.


I've tried to be lazy today--but I'm still so pumped by last night's reading.  Fred was, as I pictured him, the perfect Horatio, one of Shakespeare's toughest, yet most humane, characters.  Austin, as both Claudius and the Ghost, was by turns chilling, impassioned, and adorable, a very exciting mix.  Shirley brought a sensuality and vulnerability one rarely sees in the role of Gertrude, and David Margulies as both Polonius and The Gravedigger was priceless.  Darrell Hammond is someone to watch--his Guildenstern was fascinating--he brought out things that had never occurred to me, alarming aspects of a character I now recognize as a very dangerous person.        


Anna Chlumsky was just gorgeous as Ophelia, smart and resilient, and Ted Zurkowski was a brilliant Hamlet-- he's a wonderfully fearless actor, able to find the humor, pathos, and heartbreak without an iota of sentiment.  And he also led a group sing.


Ross Beshear, as Rosencrantz, was brilliant.  Confident, robust and deucedly handsome in real life, Ross brought great tenderness and despair to his character, a thrilling achievement.  Alan Altschuler was a proud Player--by turns comically exasperated and deeply moving.  


I needed two strong actors to open the play as Marcellus and Bernardo, to make the situation with Horatio and the Ghost both scary and believable.  How lucky that the wonderful Lenny Ciotti and Erick Gonzalez were both available to be on board for this project.  They held nothing back, and caught the special dismay of sensible military men caught is such a strange position.  Erick also portrayed a joyless, unkind priest; and he brought a menacing sureness to the role of Fortinbras, Hamlet's twin, and opposite number.  


Lenny also played Osric, and now I can't imagine anyone else playing the role.  Lenny is a gifted actor, equally adept at romantic leads, villains, and broadly comic roles, and he's a joy to watch.  


Alan, Lenny and Erick are all set to appear in A Midsummer Night's Dream, as are Amy, Treasure, Kyla, our good friend Eric Doss, and many other audience favorites.  A Midsummer Night's Dream opens April 26 at the beautiful West End Theatre, and we are very excited about it. 


 


 


 


 


 


 


 


 


 


 

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Rip Torn!!

You read that right, the Fabulous RIP TORN will be joining us at The Players Club Tuesday, October 4 for our Benefit Reading of William Shakespeare's JULIUS CAESAR!  


Mr Torn, internationally known and widely beloved for his film and television work (MEN IN BLACK, THE LARRY SANDERS SHOW, and one of my all-time favorite films, PAYDAY) will be gracing the stage as the Emperor himself, Julius Caesar.  I have been pinching myself all day.


Also joining the cast is the wonderful RYAN TRAMONT, a long time Frog & Peach Co member and most recently seen on screen in THE HURT LOCKER.  If you missed his transcendent HAMLET, we hope to give you another chance soon. 


You know, each performer in the Cast of Julius Caesar--Rip, Jeffrey, the lovely Ms Parsons, my sweet Austin, Michael, and Ryan--each of them is known as an Actor's Actor; each fascinating to watch in whatever they do; each determined to set us up a glass to see the nobility, suffering, and fear inside our fellow man, and ourselves.  That takes tremendous skill and courage--it is the kind of artistry we all aspire to at Frog & Peach, and I'm humbled by the opportunity to work with each of them.     


 

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THE KNIVES ARE OUT!

From the Artistic Director's Lair:


We've had a full team of interns working day and night just to tally the awards accumulated by the  fabulous cast of our  Benefit Reading of JULIUS CAESAR, Shakespeare's shockingly modern political thriller, October 4 at 8 PM, at the legendary Players Club, 16 Gramercy Park South


Starring


JEFFREY JONES (the beloved A.W. MERRICK of HBO's Deadwood),  
MICHAEL E. KNIGHT (Tad Martin of ABC-TV's All My Children), 
TOM NOONAN (Synedoche, Damages), 
Academy Award Winner ESTELLE PARSONS,
AUSTIN PENDLETON-Playwright/Director/Actor Extraordinaire, and
IAN MCDONALD, co-founder of the bands King Crimson and Foreigner,  performing his original score live!


Save the date for an evening of theatre you'll never forget! 


Benefit Tickets are on sale now at smarrtix.com, or call 212 868 4444.


But wait, there's more!


Frog & Peach is delighted to present our Fall Main Stage production,  TWO GENTLEMEN OF VERONA, Shakespeare's darkly funny musical romp, opening Thursday, October 13th at the beautiful WEST END THEATRE, 263 W 86th St.


Starring ERIC DYSART, ERICK GONZALEZ, VIVIEN LANDAU, AMY FRANCES QUINT, ERIC DOSS, LEAH REDDY, and BRANDO BONIVER. These people are so gifted, so funny, and so damn beautiful, they make my heart hurt with pride. 


Tickets for TWO GENTS go on sale at Smarttix.com shortly after Labor Day.


For information about STUDENT DISCOUNTS for TWO GENTS, email us at info@frogandpeachtheatre.org.  We'd love to hear from you!


Frog & Peach can't wait to bring you thrilling new adventures this season.  Stay tuned!


Best,
Lynnea


   




 

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